简介
书名：Montage(Kino-Agora #3)
作者：Jacques Aumont
简介：Describing editing as cinema’s formal and aesthetic soul because of its ability to represent time, in this lyrical essay Jacques Aumont surveys the theory and practice of editing and montage, from early cinema to the digital era. Aumont addresses the Soviet filmmaker-theorists of the 1920s, of course – he is a translator of Eisenstein and the author of a book on Eisenstein’s montage – but also brings into the discussion contemporary directors such as Jia Zhangke, Abbas Kiarostami, Aleksandr Sokurov, Kathryn Bigelow and Lisandro Alonso, with stops along the way for the ideas of André Bazin, Jean-Luc Godard and Pier Paolo Pasolini.
This original essay, written especially for caboose, is essential reading by one of the leading film scholars at work in the world today and a rare opportunity for English speakers to enjoy his work. It is the first of three Kino-Agora volumes on the essential concepts and practices of film montage, découpage and mise en scène.
作者：Jacques Aumont
简介：Describing editing as cinema’s formal and aesthetic soul because of its ability to represent time, in this lyrical essay Jacques Aumont surveys the theory and practice of editing and montage, from early cinema to the digital era. Aumont addresses the Soviet filmmaker-theorists of the 1920s, of course – he is a translator of Eisenstein and the author of a book on Eisenstein’s montage – but also brings into the discussion contemporary directors such as Jia Zhangke, Abbas Kiarostami, Aleksandr Sokurov, Kathryn Bigelow and Lisandro Alonso, with stops along the way for the ideas of André Bazin, Jean-Luc Godard and Pier Paolo Pasolini.
This original essay, written especially for caboose, is essential reading by one of the leading film scholars at work in the world today and a rare opportunity for English speakers to enjoy his work. It is the first of three Kino-Agora volumes on the essential concepts and practices of film montage, découpage and mise en scène.
Jacques Aumont 的其他作品
猜你喜欢
